Palavras-chave
Arte; Política; Artivismo
Autores
Abstract
This ongoing undergraduate research project investigates the intersection of art and politics to foster dance productions as aesthetics of resistance. It aims to analyze artivism, as perceived by Paulo Raposo, as a political and aesthetic language capable of challenging power structures, giving visibility to dissident subjects, and constructing new ways of inhabiting the world. The methodology consisted of bibliographical research and critical-interpretative analysis of several of the author's works: "Artivism": Articulating Dissidences, Creating Insurgencies (2015), "The Boat Revolt" (2016), "Political Performances and Artivism: Archive, Repertoire, and Re-Performance" (2022), and "Art and Politics: Artivism as a Language and Action for Transforming the World?" (2023). Studies have shown that artivism combines creativity and direct action, appropriating public space, collective memory, and digital networks to confront necropolitics and structural violence. Thus, these practices foster new ecologies of encounter, strengthen plural identities, and propose alternative horizons for life, reinforcing art as a tool of resistance, critique, and invention of futures.
RAPOSO, Paulo. Arte e Política: o artivismo como linguagem e ação transformadora do mundo? GIS - Gesto, Imagem e Som - Revista de Antropologia, São Paulo, v. 8, n. 1, p. e202989, 2023.
RAPOSO, Paulo. Performances políticas e artivismo: Arquivo, repertório e re-performance. Novos Debates, [S. l.], v. 8, n. 1, p. E8119, 2022.
RAPOSO, Paulo. A “Revolta das Barcas”: sobre silenciamento performativo e imaterialidade do protesto na (in)visibilidade contemporânea das periferias urbanas. GIS - Gesto, Imagem e Som - Revista de Antropologia, São Paulo, v. 1, n. 1, p. 59-88, 2016.
RAPOSO, Paulo. “Artivismo”: articulando dissidências, criando insurgências. Cadernos de Arte e Antropologia, Salvador, v. 4, n. 2, p. 3-12, 2015.