Palavras-chave
Arte; Alteridade; Modos de existência
Autores
Abstract
Subjects are constituted through their acts and actions and in the relationship between body and culture. It is proposed to think of art as capable of subverting and materializing other ways of being, existing, and seeing together, in the relationships between body, context, time, and space. The objective is to promote deeper thinking about art, taking otherness as a state of creation and activation of diverse bodies. The adopted methodology is qualitative analysis, according to Flick (2004), which directs research to a field of study not based on artificial laboratory situations, but on the practices and interactions of subjects in their daily lives. It is observed how art has proved fundamental and capable of simulating, bodily, states of otherness, promoting connections between moving and acting—thus generating greater openness and reflection on issues related to modes of existence (Greiner, 2017). As a contribution, this proposes to dismantle understandings crystallized in their own structures, which tend to silence artistic creation, thus affirming the importance of thinking about art in its potential to produce possible worlds — a poetics necessary for current times.
FLICK, Uwe. A pesquisa qualitativa: relevância, história, aspectos. In: Uma introdução à pesquisa qualitativa. 2ª edição. Porto Alegre: Bookman, 2004.17-29p., ISBN 978-85-363-0414-4.
GREINER, Christine. Em busca de uma metodologia para analisar a alteridade na Arte. Conceição/Conception, [S. l.], v. 6, n. 2, p. 10–21, 2017. Disponível em: https://periodicos.sbu.unicamp.br/ojs/index.php/conce/article. Acesso em 07 out. 2025